RECENT WORK

NIGGY - WARIDU (feat. DUSK)

Cinematographer & Editor

Festival MARÉ DE AGOSTO 2024

Cinematographer & Editor

DUQUES - QUANDO TU MUDAS

Gaffer & Colorist

VLAD - CADÁVERES NO CAIS

Gaffer & Editor

Festival MARÉ DE AGOSTO 2023

Cinematographer & Editor

SATA - AÇORES!

2nd Cinematographer & Editor

JUST CHAPTERS 2

Cinematographer & Editor

Azores LOCAL Food Culture

2nd Cinematographer & Editor

FRED CABRAL - VIVER A VOAR

Gaffer & Colorist

ARTS

SOLSTITIUM

Cinematographer & Editor

vaga - TRANSMALHAR

Cinematographer & Editor

vaga - temporadas

Cinematographer & Editor

LIVESHOWS

THE CODE - Fly Higher pt.II / Little Angel

Cinematographer & Editor

THE CODE - CASA 2020

Cinematographer & Editor

THE CODE - RÉVEILLON 2020

Cinematographer & Editor

FEATURE & SHORT FILMS

My work consists of two components - the broad international range of projects and the personal, up-close stories of local communities.

At the seaside, I assisted Netflix productions as assistant camera and grip for Rabo de Peixe (season 2 and 3). I worked as data wrangler/DIT on both its spin-off documentary and Pedro Varela's Azul series.

At the regional shores, I made stories step by step. Currently in post-production are the documentary Filhos da Terra (as second cinematographer) and "RESISTO, RESISTO, RESISTO" about the "Transmalhar" project (directed by Catarina Gonçalves, shot by myself). On Mátria (IndieLisboa selection), I served as both camera assistant and gaffer. I worked as 1AC (focus puller) on Teresa de Cristo's recovery journey and on Insone (shot on Super8), while performing various roles on The Happiest Man II. Currently developing visual concepts as DP for test footage of Incompleta (working title).